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}} "How Will I Know" is a song recorded by American recording artist Whitney Houston for her debut album, titled ''Whitney Houston'', which was released in February 1985. It was released by Arista Records in November that year, as the album's third single. Composed by George Merrill and Shannon Rubicam, the song was originally intended for Janet Jackson, but she passed on it. Houston then recorded the song with altered lyrics and production from Narada Michael Walden. The lyrics speak about the protagonist trying to discern if a boy she likes will ever like her back. "How Will I Know" received mainly positive reviews. The song became Houston's second number one single on the United States ''Billboard'' Hot 100. It spent two weeks atop the chart and also became Houston's first chart topper on the Canadian ''RPM'' Singles Chart. Success was worldwide: it reached the top 10 in Sweden, Ireland, Norway, and the United Kingdom, and the top 20 in the Netherlands, New Zealand, and Switzerland. The song's music video features scenes of Houston dancing in a setting of video screens and colored partitions. The music video gave Houston exposure to the teens and MTV. It also received nominations at the 1986 MTV Video Music Awards in the categories of Best Female Video and Best New Artist in a Video, winning the former category. The song was performed on many of her tours including Greatest Love Tour (1986) and her Nothing but Love World Tour (2009–10). "How Will I Know" is also featured as a remix on Houston's compilation album, ''Whitney: The Greatest Hits'' (2000), whereas the original version is featured on ''The Ultimate Collection'' (2007) and ''I Will Always Love You: The Best of Whitney Houston'' (2012; remastered). ==Background and recording== Originally, songwriters George Merrill and Shannon Rubicam had written the song's demo for Janet Jackson, employed by A&M Records executive, John McClain. However, after hearing the song, Jackson's management passed on the song, feeling it was too weak in comparison to her other material. In an interview with Fred Bronson, Merrill expressed his feelings after learning of Jackson's decision. "We were pretty upset because we thought it was perfect for her at the time. We had written it with her completely in mind."〔 During this period, Brenda Andrews, at Almo-Irving Music, Merrill and Rubicam's publisher, played the song for Gerry Griffith, the director for R&B music at A&M and Arista Records. Griffith, who was compiling material for Houston's debut at the time, felt the song perfectly matched her sound. He soon contacted Andrews and the song's two writers and implored that they should relinquish the song to him for Houston's debut album.〔 Griffith described his discovery of the song, and what he and Clive Davis thought of it:
After getting permission to use the song from Merrill, Griffith quickly turned to Narada Michael Walden, who was producing Aretha Franklin's "I Knew You Were Waiting (For Me)", for her album ''Who's Zoomin' Who?'', at the time.〔 After getting in touch with Walden, Griffith frantically implored him to produce the song, describing how important the song would be for Houston's future album. After hearing the song's demo, Walden agreed to fly down to San Rafael, California to arrange it. He was not much impressed with the demo and requested permission to change some of the song's lyrics and chord progression. Flustered by his request, Merrill and Rubicam denied him the right to their song.〔 After a lot of back-and-forth with Griffith, they compromised and allowed Walden to de-construct the song and change the key and tempo. After completing the song, Houston came into the studio to record her vocals. Originally, Cissy Houston, the singer's mother, was intended to perform the song's background vocals. Houston had wanted to introduce her mother's vocals on the track, insisting on their inclusion.〔 However, after hearing the finished result, Davis felt Houston's voice itself fit the song's arrangement, and implored her to sing the backup section on her own. While reluctant at first, Houston agreed and re-recorded the background vocals to the praise of both Griffith and Davis.〔 Griffith explained:
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